Review: "The Bling Ring" Emma Watson with Sofia Coppola

American cinema seems concerned about the emptiness of the excess, at least in the first half of 2013. Baz Luhrmann revels in the richness of the meaning of "The Great Gatsby", while Harmony Korine has his own twisted spin on the dark soul of the American Dream in "Spring Breakers". And now "The Bling Ring" Sofia Coppola's another look at the law at any price of fame and the cult of the brands, but it adds nothing new to a conversation that seems to have run out of things to say.Miu Miu handbag While the movie hurt to remind the viewer that it is "based on a true story," Coppola has less to accurately grasp the ins and outs of the gang in real life simply re their criminal behavior. Unfortunately, the criminals are hardly more than one-dimensional sketches. Katie Chang and Israel Broussard as the heart of the film as Rebecca and Mark, a couple besties in Indian Hills, a school for the acquisition of the last chance for kids who do not fit elsewhere known binding. And it was not long before Rebecca Mark shows his game "Car Show", which is seen walking on the street basically what cars have their doors open and everything inside. N It is not long before this game extends to break into houses. Coppola seems particularly fascinated by the slump itself. The first half of "The Bling Ring" is an almost endless array of scenes detailing what finally seems all the crimes Bling Ring, be to the point of boredom. Looking up celebrities who are out of town on Dlisted their address (almost unbelievably easy) on the Internet, and casually walk to help themselves to whatever they wanted, may be the point here is that the pursuit of His famous - or even next to the fame - a voracious appetite that will leave you for always being open. But it's really something we did not know before? Attacked and how many scenes cabinets you really need? To her Louboutins Miu Miu know and celebrate with little regard for the consequences, Rebecca, Mark and the gang gathers around them your sob stories standard. Rebbecca parents are divorced, Mark of fear and self-loathing suffering ("I've never seen a guy looking for A-list," he later recalled), while Nicki (Emma Watson have fun playing tasteless in a supporting role, arising later to be a leader) is from his "The Secret" obsessed mother (Leslie Mann), which distributes vitamins Adderall as home-schooled. (There is also Chloe, played by Clarie Julien capacity, whose short periods suggest an edge "The Bling Ring" would have benefited greatly.) But it is the lack of focus of the image, which ultimately reduces the bit has to say of "The Bling Ring". For the most part the story is told through the eyes of Mark and Rebecca - the latter preaching at a place that he loves her like a sister Rebecca - but when we are in the second half of the movie Nicki begins front of the stage. The change is a bit out of left field and makes the relationship between Rebecca and Mark close with a little Facebook update (really) status. And we have very little time with Nicki in the first half of the movie hilarious though do not offer much context other than to reiterate interviews with the press, the barren thematic objectives of the film. While the ambitions of the film could be quite low (and perhaps more fragile Coppola film to date), the filmmaker who has always found a great visual concerns moments of beauty is. A break to house Audrina Patridge is the unit in the hills above the glass house in order, as we see Mark and Rebecca move in every room and the floor of the house, far. This is a shot of fear, and a scene that is still more than the rest of the flight kicks, really captures the abuse of privacy Bling Ring focused on their victims (as in the rest of the film, their slump is almost festive). Coppola and also a lot of fun cutting a mounting apprehension, a sequence that brings a dose of reality for the rest of the film feels a lot like an adolescent fantasy. miu miu bag The topic is not new for celebrity Coppola has explored both his loneliness and exuberance in "Somewhere" and "Marie Antoinette", and here the same concerns, turn less satisfactory results. Coppola wants a tabloid punish culture where almost everyone has become an instant celebrity, regardless of its benefits (or damages), but it's an easy target and when they spun barely outlined by a group of characters whose motives are even thinner, it is "The Bling Ring" experience of weightlessness, no matter how much hot air (the soundtrack is huge and playlist loans) and colorful trinkets fill the screen. [C]