cover model told Style

propelled her into the limelight. It's had almost 2.4 million views since it was posted online in January. By contrast, a talk at the same event by Colin Powell, the former US Secretary of State, has had Gucci belt for women713,000 views.es, Julianne Moore, Beyoncé Knowles and Freida Pinto.mments on our Instagram, it's not the fresh font or logo that's getting travelers fired up. Instead, the most divisive design detail seems to be that of the striped tail. Gone is the "AA" and gone is the eagle. The fleet will now sport tails with a reversed American flag, rendered in graphic, gradient stripes from top to bottom. It's a drastic branding change, and we're reserving our own thoughts until we can see what it looks like in person. For now, let's take a look back at 13 other new airplane paint jobs in recent years (just the tails!): “It wasn’t really anything I ever expected to happen in my career… I never could really see myself in their lineup,”

the Vogue Australia cover model told Style.com. But the makeup brand seems to believe in her representational powers. Her curvy physique, ‘x-rated lips,’ as Calvin Klein once described them, and gap-toothed smile might not fit the typical runway model bill, but it’s exactly these  cheap hermes bagtype of off-the-grid looks that were winning her contracts in her late twenties; she’s been recruited by Klein, DKNY, Prada and the discerning Tom Ford to front campaigns. “To me, Lara is part Marlon Brando, part Thelonious Monk and part Robert Mitchum. She’s big, bad and beautiful,” photographer Bru "For the past few centuries, we [in the West] have defined beauty as tall, slender figures, femininity and white skin," Russell says in her talk. "This is a legacy that was built for me, and that I have been cashing in on." She goes on to urge girls

 to aspire to be something other than models, because Hermes card case bagsuccess in the modelling world is simply down to luck and good genes. When girls tell her they want to be models, she asks them why, arguing that modelling teaches you nothing. "It's not a career path," she says. It is a hot afternoon in New York and we're at the offices of the Big Bad Lab . Russell is the founder and director of this creative collective, which, in her words, aims to "build participatory art and media platforms". Her home is a studio loft in SoHo, but the Lab's offices are in a quirky former convent building in a